There are many misunderstandings about musicians. These misconceptions exist even in educated societies around the world. While they apply to artists normally, our focus here is with music.
One misconception is that the musician needs to be a “ravenous artist” and live a poor lifestyle. Music, just like every other profession, has those that succeed financially and those that do not and people in between. You see wealthy pop and rock stars and you see buskers with jars on the street. Monetary success is independent of expertise, and never essentially explicit to any one business either.
An interesting thing to note is that music itself is definitely a comparatively costly trade as far as professional musicians are concerned. Instruments and different equipment plus their upkeep and also areas might be quite costly. High quality lessons, a crucial investment, should not exactly cheap. All businesses have their overhead and working expenses. And doing music vocationally falls into this category, therefore it requires proper enterprise acumen and glorious financial planning to make sure solvency and viability. And there are certainly professional musicians in this world who will not be “ravenous” and doing just fine.
Another false thought is that musicians have to be considerably crazy or unstable, and this has by some means change into associated with talent. Expertise stands alone and is its own area.
Oppressive people created this false notion in an effort to keep creativity down. Anything good, highly effective and inventive threatens certain individuals whose only intention is to destroy. This, by the way, explains the prevalence of drugs in rock music. It’s all calculated. Musicians, because they’re creative and artistic, are vulnerable and sometimes targets for suppression.
Musicians, like some other human being, have emotions and feelings. Because they’re under more judgement and evaluation, corresponding to during competitions or academic jury exams, they develop into more prone to attacks by those that use that as an avenue primarily to hurt others, or by those who are merely insensitive. Contradictory evaluations between judges may cause great confusion.
Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has also been falsely related to being loopy or neurotic.
Being pretty uninhibited is generally frowned upon in our society, the place we are all expected to behave in a certain way, like cattle. When a musician is in a transcendental second, he could appear considerably crazy to a more bizarre person. A real example was a composer who was strolling down the street and rapidly had a spark of creativity and he started “thinking out loud” with his creative process, making rhythmic hand and body gestures. Some passersby might have thought there was something incorrect with him, not understanding that he was simply having a transcendental or creative moment.
One frequent fallacy is that it is somehow okay for a musician to play for free. The “pay to play” idea is sadly prevalent. Would one ask a plumber to come back fix the sink free of charge? Not if he needs to get his sink fixed. Believe it or not, an ad was placed just lately in a sure classifieds section from a restaurant owner in search of a band to come back carry out at his restaurant totally free with the insufficient exchange of “promoting themselves and selling albums”. As silly as this sounds, it is all too common. Music instructors steadily get requested at no cost lessons. While there is nothing fallacious with doing volunteer work to assist deserving underprivileged people, that’s different. Would one ask an accountant to do taxes at no cost? Again, same principle.
One other mistaken thought about musicians is that their physical appearance, habits or demeanor must be uncommon, different and even weird. This gets imposed so much but is unnecessary. It’s an incorrect habit in many societies. Image is image and irrelevant to demonstration of talent.
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