A lot of the depicted animal interactions are predatory, and the soft-tissues of the reconstructed species should not particularly elaborate. Maybe it is because nearly the entire artworks have been commissioned by researchers and museums, shoppers who are inclined to favour safer, extra conservative palaeoartworks. We shouldn’t lose sight of how progressive even ‘conservative’ fashionable palaeoart really is. Many sights now familiar to us would have been thought of heretical just a few years ago: Csotonyi exhibits a number of tyrannosaurs with variable amounts of feathering in the book with little fanfare, for instance.
For dinosaurs at the very least, it’s becoming more durable to supply wholly shocking palaeoart with out unreasonably bending palaeontological science or speculating wildly. Whereas Csotonyi’s e book may lack the accessory frills, wattles and elaborate behaviours of some modern palaeoart, it acts as a unbelievable milestone for the way far palaeontology and palaeoart has moved in recent years. The unkillable skim-feeding speculation lives on.
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